Using the most recent economic downturn in Germany as an example, Andreas Gruener and Ingeborg Raastad examine whether financial slack has an impact on performance in the particularly hostile environment of an economic downturn.
Maria Maddalena Giungi examines whether the European Union Agency for Fundamental Rights, established in 2007, could trigger a new wave of policies focused on fundamental rights to counterbalance the growing power of the ECJ.
Artist and illustrator Louis Netter of the University of Portsmouth, UK, explores links between reportage and caricature and describes his selection and “stalking” of the subject, to accompany his series of reportage drawings from the streets of Barcelona.
In his Conference Chair Address at The European Conference on Education 2016, held in Brighton, UK June 29 to July 3, 2016, Professor Brian Hudson reflects on the conference theme of “Education and Social Justice: Democratising Education”.
Aurora, by A. Robert Lee, is a collection of 100 images by recent Spanish artists, accompanied by 100 poems, all translated into Spanish. Read the full publication…
Nigel H. Foxcroft analyses the influence of cultures and civilizations upon literature and national identity by investigating the evolution of the cosmic consciousness of the English Modernist novelist and poet, Malcolm Lowry (1909-57) after his experience of the Mexican Day of the Dead Hispanic festival.
In the second and final part of Jared Baxter’s essay, he concludes analyses that Vincent van Gogh had the Last Supper in mind when he painted his Café Terrace on the Place du Forum, Arles, at Night.
Jared Baxter gets to the bottom of why one of Vincent van Gogh’s most famous paintings, the Café Terrace on the Place du Forum, Arles, at Night, can be identified as a Symbolist Last Supper
Jared Baxter looks at Vincent van Gogh’s Starry Night, advancing that the painting was inspired by Dante’s vision of the Empyrean Heaven.
Jared Baxter looks at the ways Vincent van Gogh held Dürer’s “Christ as the Man of Sorrows” in mind when he crafted his “Portrait of Dr. Gachet”.
Just over a year on from the attack on the Charlie Hebdo offices, Dr. Joseph Haldane, President & CEO of IAFOR, looks back at the satirical newspaper’s fight for freedom of expression.
Jared Baxter examines how Vincent van Gogh interpreted Rembrandt’s Slaughtered Ox as an allegorical self-portrait and mirroring of the artist’s plight and destiny.
Qiang Fu looks at the depiction of consumerism in Jean Rhys’s novels. Does it indicate an evolving capitalist culture or does it challenge us to determine the status of resistance and complicity within capitalist and imperialist regimes?
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